Body of Work
Sleepless nights in the library during undergrad taught Kate Seidel that she makes her own art, but she does not make it however she wants; she does not make it under self-selected circumstances, but under circumstances directly encountered.
Her art deals with the negative externalities and social reproduction of white-collar labor, especially in how it constructs masculinity and ability. Her graphic works (drawings, collages, photo books) periodically spill over into affective performances and collaborations. Formally, Kate’s work addresses questions of historical subjectivity, authenticity, and documentality, as well as the site-specificity of work- and domestic spaces.
Course of Life
Kate Seidel grew up in a family deep in student debt in Charlottesville, VA. In 2017, she graduated from Columbia University with a bachelor’s degree in Visual Arts and Russian Language and Culture. In 2018, Kate attended the Chto Delat School of Engaged Art in St. Petersburg. In 2019–2020, she is a participant in the School of Engaged Art’s seminar on the post-Soviet and a resident member at Studio 4.413.
A Journey to the Big North in Search of the Other Rosa Crater Guided by the Libreluch Compass (Kunsthalle nummer sieben, SPb, October 2019)
24-Hour Repostsoviet (Rosa’s House of Culture, SPb, June 2019)
Through the Lens of Distortion (Berthold Centre, SPb, April 2019)
15 Exercises in the Field of Triggers (SDVIG, SPb, January 2019)
Support Group for Those Disturbed by Eros (Yegorka Communal Gallery, SPb, October 2018)
Inaugural World without Work Biennial (Intimnoe Mesto, SPb, October 2018)
Fables of Our City (Rosa’s House of Culture, SPb, June 2018)
Columbia Undergraduate Thesis Exhibition (Leroy Neman Gallery, NYC, May 2017)